Tuesday 30 March 2010

The Landscape Architecture Profession – A Critique (or "My journey so far")



...In 2008 I needed to find a new career that would:
• Provide me with fresh air
• Leverage my management experience
• Re-kindle my love of ecology
• Allow my more creative side to blossom?
I didn’t know of such a career and no-one I knew did. So I paid to see a career counsellor...

1. My Landscape Training to Date

1.1 How I see the role of the Landscape Institute (LI) as my representative professional body

My career counsellor, who I rate highly, managed to find “Urban Planner” as a career that might meet my needs. “Landscape Architect” was not on her database. Fortunately, further research into urban design turned up Landscape Architecture (LA) as a potential suitable profession. Why had I never heard of LA and why was it not on the skills databases? Clause 5(1) of the Landscape Institute Royal Charter (rev 2008) states that:

“The objects and purposes for which the Institute is hereby constituted are to protect, conserve and enhance the natural and built environment for the benefit of the public by promoting the arts and sciences of Landscape Architecture...”

My first question is to whom are the LI promoting the profession? If the LI’s remit includes promotion to the general public, - who, after all, could be future clients or practitioners - then it is not meeting this objective. Perhaps the promotion of the profession is better to school leavers through the LI’s initiative (sponsored by CABE) “I want to be a landscape architect.’

Would LA be the right career for me? I rang the LI headquarters in London to ask for some advice. Unfortunately the people I spoke to were not Landscape Architects and so the help they could offer was limited to that of an administrative nature. They did have a list of practices, however, which I downloaded and arranged visits to one or two.

The next question was to which university should I apply for a conversion course? Clause 5 (1) continues as follows:

“...to foster and encourage the dissemination of knowledge relating to Landscape Architecture and the promotion of research and education therein, and in particular to establish, uphold and advance the standards of education, .... and to determine standards and criteria for education ...”

Logistics limited my search for a conversion course to either Gloucester or Greenwich. Greenwich insisted on a 2 year course plus a 6 month MA, but Gloucester’s MA was optional. I queried this with the LI, but the answers did not explain why both courses should receive accreditation, whilst seemingly demanding different levels of effort (and money). Should I regard Gloucester as a cheaper and an easier option – a “soft touch”? It seems that the course content necessary for accreditation is down to the lead tutor at the University. Given they are members of the LI I suppose this is how the LI executes that function?

After visiting a private practice and a council planning/LA department, I became excited and convinced that this was the career for me – a profession that I could practise outside London and which I could continue to enjoy into my old age. I signed up with Gloucester University in 2008 with only a few days to spare before term started.

Meanwhile, my friends and neighbours were convinced I was going into garden design and I had a few offers of work before I had even started!

Even I was still trying to resolve in my mind what LA actually encompassed. I attended a lecture on sustainability by a senior member of the LI who professed to not calling himself a “Landscape Architect”, because of the baggage the term contains! How could this be? I had just made a life changing decision to become something that a potential role model was shunning!

So I composed a blog on Talking Landscapes suggesting the title for the profession should be changed, that the profession had an identity crisis and that it risked losing work that it should be performing.  Some responses I received sympathised with my view, but most counselled that the problems I envisaged were either just irritations or did not really exist.  Some respondents liked the ambiguity of the term LA, whilst others said I should stop worrying about management jargon and simply pick up a pen and start drawing instead. This is a fair comment to a new recruit, but I was left with an impression that the LI has a culture of complacency about the security of its future role.


1.2 My view of the ethics and nature of professionalism

1.2.1 Financial Prudency

In general, I am a fan of internet social networks, forums and blogs, so long as they are not anonymous. I simply like openness and debate. Talking Landscapes is a good example, although clearly many professionals do not share my enthusiasm for the site, and even if they did, might not find time to contribute. An internet forum, however, is not (in my opinion) a suitable place for a civil war. And during my first year at Gloucester there was civil war in the LI, the aftermath of which is still rumbling on as I write (January 26, 2008 ). I do not wish to replay the various chapters of that uprising here. Nor will I take sides, nor comment on the individual decisions that may have led to the financial turmoil. My point is that to conduct such a war on a website seemed unprofessional, not least because its openness made it sorely depressing to conversion students who had made the life-changing decision to try and join the profession. I was looking for leadership, guidance and role models. Instead I saw accusation, counter-accusation and name-calling. The guerrilla warfare then spread into the printed word that arrived in the post of all LI members. My naive assumption had been that such quarrels would be conducted and resolved in an orderly and constitutional manner.
My overall view is that it is unprofessional – not to say highly embarrassing - for the LI to have put itself into such a financial hole. The LI code of conduct includes several standards to which it expects its members to adhere. For example, standard 7 states that:

“Landscape Architects should ensure that their personal and professional finances are managed prudently and shall preserve the security of monies entrusted to their care in the course of practice or business.”

Clearly, the LI has struggled to meet that standard and as a result some say the ongoing efficacy of the central library is potentially at risk. However, Brodie McAllister (FLI, VPLI) stated to me recently that:

“The LI are not in financial trouble. It is very stable currently and has strong mechanisms in place.... Past financial turmoil was not unique to the LI. Many charities and businesses went bust. The RIBA for example lost millions. A very small promotion of membership launched a rebellion and take-over and lost, democratically. Their extreme claims, in some cases, needed responding to. The membership wanted the opposing view from the LI in order to inform them....“

On balance, I am not persuaded by arguments that, as other organisations “went bust” this excuses the LI of imprudence. I’m sure those members who pay large subscriptions are not convinced either. The bottom line is that the LI is less financially stable than it could or should be and this will make upholding other standards potentially more difficult to keep. For example, standard 6 states that:

“Landscape Architects should maintain their professional competence in areas relevant to their professional work and shall provide such educational and training support to less experienced members or students of the profession over which they have a professional or employment responsibility...”

I currently have access at University to a wide range of contemporary and archived books and journals. To risk having that supply turned off once I graduate is a concern. However, Brodie McAllister assures me that:

“The library is NOT at risk. The library and archive will be put is being
put into Trust by the Board, thus ensuring its continued growth and
protection. The membership was informed of this.”

1.2.2 Educational Support

I completed my conversion year successfully and, along with my fellow students, presented some of my work at the end of year show.  Sadly, save for the sponsors – LDA -, very few practitioners attended. It seemed that the recession was the reason, which was understandable and half-expected. But to keen students it was also deflating that the professionals had not found time to be there to provide expert words, guidance and even encouragement. It also seemed short-sighted, because the event was a missed opportunity for them to spot budding talent that would be needed once the economy picks up.

The story was not dissimilar over the summer where I tried to get work experience. The private practice had no new work – much of it tied into public finance restrictions, and the council suddenly stopped replying to emails. I called and sent my CV to a dozen practices even offering my services and my own laptop for free. To me, this raised the question of whether the profession has any real responsibility to students in general, or whether standard 6 refers only to those employees who are unchartered. Brodie McAllister confirmed that:

“The profession owe no responsibility to student graduates
automatically, because most of the profession is operating as a business.
This is the same as in architecture... and he confirmed that “many practices do mentor their employees through P2C therefore showing care and responsibility to the next LA generation.”

Still, the lack of work meant I had a lot of time to catch up on some educational reading.

1.2.2 Ethics of Participation

During that summer vacation of 2009, the planning process progressed for a new Tesco logistics mega-depot close to my home in North Hampshire and just upstream from a nature reserve encompassing the largest freshwater body in Hampshire. A local action group –SPLAT – had been created to resist the development . To cut a very long campaign story short, the Government’s inspector found against the developer, who subsequently appealed to the Secretary of State for Communities and Local Government. In his absence, a peer up-held the appeal based upon the creation of jobs. Currently, SPLAT has lodged a challenge to this decision at the High Court.
I wonder what I would have done if I had been in the employ of the developer:

1. No matter what environmental design measures I could design (such as noise buffers and SuDS), there would still be traffic congestion and 24*7 noise affecting local residents.

2. A risk would always remain that serious pollution, such as a diesel spill, would enter the water body and affect wildlife.

3. Further, the local residents who were almost unanimously against the development could not be accused of NIMBY-ism, simply because the development is not in the national interest in the same way that a new wind-farm might be. Here we had community cohesion, only to be over-ruled by a department supposedly encouraging community empowerment.

So, would I have requested that my employer remove me from that work? Should it remain a personal decision or could I have sought advice from the LI for an appropriate course of action? And if so, who exactly would I have called?

1.3 Ways in which Landscape Architects might maximise their collective and individual contributions to the environment

I discovered during that same summer vacation, that there are many excellent books and journals on the subjects ranging from landscape planning at the regional scale, urban design, democratic involvement and sustainability. As a professional instructor and author, I appreciate that the published word is an essential way of consolidating and communicating knowledge to other interested parties. It is also an essential tool to influence or lobby other individuals or bodies who affect the ability of the LI members to execute the objectives of the charter.

Government planning policy (e.g. the PPS suite) is one obvious way of influencing the “assessment, conservation, development, creation and sustainability of landscapes with a view to promoting landscapes which are aesthetically pleasing, functional and ecologically and biologically healthy and which when required are able to accommodate the built environment in all its forms”.

I believe that policy makers are not trained Landscape Architects, but I assumed that they employ the advice of such. This was confirmed by Brodie McAllister, who informed me that “the LI does influence Government Policy. The LI is a statutory consultee on such policy, because of its Royal Charter.”

As a student, my lecturers have provided reading lists including publications from best practice groups such as CABE, English Partnerships and the TCPA. All are prolific authors and, personally, I have found the Urban Design Compendium to be a particularly useful reference for built landscapes. I appreciate that NGOs like CABE are not subscription charities and probably have a large budget and dedicated staff , which explains the volume and quality of their output. CABE do work with LA, amongst many other professionals , and suggest “how CABE can help LAs”! Shouldn’t the question be “How LAs can help the other professionals involved in built environment?” As I have argued, LAs are uniquely placed amongst the professions to integrate the many disciplines required for successful place design.

I feel that CABE have become de-facto leaders on subjects that should belong to the LI domain, for example, Green Infrastructure (GI). This might be because LAs affiliated to CABE have drafted or reviewed the documents? Although Brodie McAllister states that: “the LI did take the lead on GI with its position/policy paper and follow up seminars/conference”, I feel on balance that the LI is following not leading. This may partly be due to constraints of time and money (and apathy from potential contributors/reviewers.) At this point it is worth highlighting Standard 11:

“A Landscape Architect is also expected actively and positively to promote and further the aims and objectives of The Landscape Institute, as set down in its Charter and to contribute to the work and activities of the Institute.”

Fortunately, Peter Wilder helped me with his view of the situation:

“Yes policy papers do take a lot of work especially if they are going to have the kind of impact that government bodies are going to take notice of. However it is still important to produce them as it provides the LI a platform with which to enter the global and government policy arena. Without this we would just be another voice in the background saying 'here here' to someone else’s agenda... [T]he LI does provide feedback and comment to most policy statements or consultation papers that are produced by CABE, RTPI, RIBA, EU, DEFRA, HCA, etc. This is quite time consuming as well and the LI regularly issue communiqués to its membership requesting contribution to help formulate an LI response to policy frameworks. ... I would welcome input from engaged members such as your-self so please keep a lookout for the next opportunity to contribute to an LI response. They often make for very interesting reading and pose very challenging questions which require a good deal of thought.”

For my part, I have reviewed the draft of the LI position statement on housing and submitted my comments to the LI. Unfortunately, much of the draft wording was rehashed policy statements or GI commentary. There was precious little new material or added-value. The one significant area that could have been explained was how LAs can integrate all those disparate ideas into coherent wholes, but sadly that was missing in the draft.  However, the final version does have a very useful table (pp 2 to 5) called: “The role of the landscape professional – the path from concept to completion”, which articulates the role of LAs (in both local planning authorities and in independent practice) through the planning and design process. This will be helpful for me in explaining our role to potential clients

I attended the launch of the Housing Position Statement at Eco-build in March 2010. My enthusiasm for the Eco-build launch was tempered only by the fact that the LA seminars were marketed as “fringe” meetings. How can a profession that aims to lead sustainable and ecologically sound planning and design be happy to be labelled as “fringe” at a major conference on that subject?

Regarding the LI Journal (“Landscape”), judging by the comments on the latest revamp , I do not envy the job of the editor in trying to be all things to all men. I do agree with one senior commentator - replying to those critical of the “lack of content” – when he reminded professionals that it is they who are responsible for supplying the quality content. “Landscape” is, I suspect, an inward looking journal and not designed to be sold to and influence those outside the profession. If that is true, then personally I would expect the journal to have a more scientific and challenging nature. Rather than fantastic visualisations of how the next great piece of public realm might look or be used, I would appreciate an equal dose of hard fact and evaluation about:

• What the last installation looks like now

• How it is being used (or abused) now

• How that differs from the intention and – most importantly

• Why?

Brodie McAllister informed me that “the LI as I said is conducting a reader's survey and is working on a publicity strategy, so is addressing the future of the journal and other publications.”

On a more positive note, I was the first to openly congratulate the LI, Lesley Malone, on the launch of the LI’s “Knowledge Base” - an online catalogue of reference material - which I will find invaluable when my student access gets switch off shortly. There is so much negativity about the LI that I felt an urgent need to say something positive, i.e. credit where credit’s due. I hope that positivity rubs off.


2. The Future - My Transition to Practice

2.1 Changing patterns in the role of a practicing Landscape Architect both now and in the future

So, “having almost completed [my] academic training as a Landscape Architect”, what are my next steps? Clearly, I need some practical experience and continued development.

2.1.1 Continued Professional Development

I had assumed until recently that gaining chartership was mandatory to practice as a Landscape Architect. However, I talked recently to a new graduate who has worked on a contract basis and not even started his “Pathway to Chartership” (P2C). The LI buy-laws state that licentiate members (aka non-corporate members) have the same privileges, except the right to vote. They would clearly also not be able to train or mentor others. I found at the LI’s pathway handbook, which says:

Chartered status confirms that an individual has the skills, knowledge, understanding and integrity to practice as a landscape professional in the UK. It gives formal recognition of professional standing, including rights across the EU. Most employers look for chartered status, or a commitment to achieving chartered status, as an indication of quality and professionalism when recruiting new staff, and restrict the management of larger projects and contracts to those in their practice who are fully qualified. For those who wish to develop a successful professional career, chartership is a ‘must’.

Ultimately, I want to move up the food-chain in order to have more influence. So I will probably seek a mentor and chartered status sooner rather than later.

The LI’s P2C process was explained to us on March 20, 2010. It seems a robust process and the re-focus on mentoring and quality of experience (as opposed to counting hours and box ticking) is to be applauded. It seems a time consuming process, but I believe this is necessary for remote and independent scrutiny to be possible and also to keep high the quality and value of the chartered status.

2.1.2 Choosing a practice

Ideally, I would try and select a practice whose work best suited my desires and aspirations. This also assumes I know what area I would like to work in and that the chosen area will provide an adequate amount of gainful employment in the short to medium term.

The LI website is helpful in having a recruitment site and job alerts via e-mail. The Landscape journal also includes a list of some practices. The range of work is so expansive and I have not decided where I want to specialise.

All I am sure of now (February 6, 2010) is that I want to work with:

• A leader rather than a follower

• People who are proactive, not reactive

• Professionals operating at the top of the food chain (in influential positions), not the bottom.

2.1.3 The LI’s role in sustaining the profession

Practically, in the current market, I may simply have find work in any practice that will have me, whether this is a traditional Landscape practice or in a related profession. It seems that private practices are finding work hard to find and that public practices are also making staff redundant as public finance dries-up. There is an argument that the profession is misunderstood by prospective clients and under-valued so that LA’s are first in line to receive their P45. I have no quantitative evidence to substantiate that fear.

I have also heard recently (February 5, 2010) that Ecology practices are now recruiting Landscape Architects and that Architects are doing Landscape Architecture work themselves as the work dries-up . There is a view that in the last recession (1989 to 1993) architects didn't take over from LAs, so why should they do so now?

If Landscape Architecture is to be the umbrella profession managing changes to the environment (on any scale and whether rural or built), then our brand name (“Landscape Architecture”) needs to be understood widely. In reality, it has too narrow a definition to many.

It is interesting to note that many practices are already using more precise terms. For example, a cursory glance through the suppliers’ directory in the latest Landscape shows that other terms are very prominent. Perhaps this is because they are more specific and therefore better understood by clients.

Some terms used instead of “landscape architecture” by LA practices:

• "Environmental Planning and Sustainability" (Mouchel)

• "Environmental Planning" (Allen Pyke Associates)

• "Environment" (SLR)

• "Masterplanning" (HDA)

• "Urban Design" (Whitelaw Turkington)

• "Community Planning” (Whitelaw Turkington)

• "Creating Special Places" (LDA Design)

• "Regenerating Communities" (LDA Design)

• "Architecture Urbanism Design" (Broadway Malyan)

• "Landscape Design" (Arup)

• “Ecology" (HDA)

The issue is that our professional body is left with a title that is inappropriate unless it actively rebrands and markets itself. In my view it would be beneficial to all members (not least current student members), if the LI co-ordinated this re-branding effort centrally. However, according to Brodie McAllister:

“It's the Landscape Institute [i.e. not Landscape Architecture] we use as a name so that we could be seen as an umbrella organisation. Obviously more work should be done, but no one has come up with an easy answer yet. I too feel too much is said about this. What we are is the collective of what we do. That is impressive and extensive. The public mostly are only interested in glamour and money and operate in attention spans of 30 seconds. So, they are not who we should be convincing. Who we should convince has been a success story in terms of historical growth of the profession's membership.”

I remained unconvinced. The membership has grown especially through new graduate and licentiate members possibly on the back of an unsustainable boom in public spending (both in the UK and abroad), e.g. on schools, hospitals and the Olympic Village to name a few in the UK. When the collective public belt is tightened, it will be private money that will sustain the LI professionals and it is this section of the “public” that I fear will turn first to the Architects.

2.2 The Context (socio-economic / political) within which Landscape Architects are constrained to operate


2.2.1 Socio-Economic constraints

It seems that architects and engineers take the lead on many projects that LA’s could or should be leading, such as major urban development. In theory, it is master-planners and urban designers within LA practices - trained to design places that people want to work, rest and play – who should be leading. After all, it is they who should specify the massing and orientation of buildings and the creation of flexible and robust spaces between those buildings. The architect’s job is simply to design the individual buildings. According to Bill Burford, the financial implications are that:

“...architect[s] [are] taking the lead on projects and therefore taking the lion share of the project fees. Where LA’s take the lead, the share is bigger and the projects seems to run more smoothly”

Brodie McAllister cites landscape planners EDAW (leading the Olympic Village) as a counter-example. They recently merged with AECOM, but they – not EDAW - kept their name and brand themselves primarily as architects and engineers (as well as continuing to provide EDAW’s environmental planning and design services.)

So why are architects in the lead? In reality, there are probably trained master-planners and urban designers in these architect’s practices, such as the AECOM example. And perhaps clients see the real value add of any development being in the value of the buildings - as opposed to the value of the overall environment in which the properties sit – and so feel they must go to the architects first in order best to secure a return on their investment? At individual dwelling level, we have all seen “Grand Designs” where the project overruns, the architect’s fees rise and the budget for “landscaping” gets cut at the end. Why is this and is this also the case in larger scale development?

Bill Burford believes so when he states that that “financially much LA development work is regarded as luxury”, i.e. it can be cut without fear of financial repercussions. Bill confirms this by saying that the:

“LA has in the past been relegated to [the] first fix stage [and is] third and fourth in pecking order for fees... taking about 7% (as opposed to about 13% for a lead architect.)”

Brodie McAllister qualifies this by commenting that:

“[An architect’s] fee like ours depends on the type and budget and varies much the same as ours does. Most big building projects have an architect fee of less than 7%. It's the quantum of fee that differs because they are doing more work, i.e. the building is often - but not always - the larger part of the project.”

Notwithstanding this, there seems to be growing evidence that a high quality environment does have a positive impact on property prices. Maybe our environment will eventually be viewed as being as important an investment as bricks and mortar. But if and when that time arrives, will LA’s be best placed to capitalise? Perhaps I will simply hedge my bets and join an architect’s practice – such as AECOM.

2.2.2 Political constraints – the Planning System

So how could the Landscape Institute help influence a change to this scenario? We can all see the environmental problems caused by leaving economics and the market to its own devices. The market in the UK is flawed for two reasons.

First the UK is a small island, very heavily populated (with an ever increasing number of smaller households forming) and a restrictive planning policy, i.e. demand outstrips supply. In simplistic terms this means that the supplier can produce lower quality and still find a buyer at a high price.

Second, there is market speculation on land (albeit high risk), where land bankers could multiply their investment in agricultural land by a large factor overnight simply upon planning permission being granted. Developers, who may not have been the land bankers, then complain that to make a profit they need to build very densely and maybe cut corners. Many developers see the CLG’s Code for Sustainable Homes (based on BRE research) as yet another financial burden.

I have discussed this issue on a blog on the CABE website on the back of their publication “Who should build our homes” . My political solution is described in my CABE blog, so will not be repeated here. It may be idealistic, but that is what position statements should be, i.e. they should set out a vision to strive for even though it may not be possible to meet outright for various reasons.

I reviewed the draft of the more recent LI publication – “Making it Home” - and commented that did not sufficiently address the economic aspects of development. The final version has two paragraphs on page 9 under the heading “land values and designation”, which states the problem, but offers no position on potential solutions. In summary, the paper is good, but I feel the LI has not been brave enough and kept firmly on safe and un-contentious ground. It is a shame that the Owenstown case study (p18), does not feature in the introduction for its more innovative (yet retro) co-operative financial model.

3. Summary and Conclusions

3.1 How I think the LI’s role might change with respect to its relations with all stakeholders

In summary, if I were a candidate for election to the position of President of the Landscape Institute, what would be my manifesto? My three main goals would be:

A. Become the umbrella Environment profession


B. Increase involvement in LI democracy


C. Attract and retain the best graduates

The LI already has a Development Plan (2007-12) with strategic objectives and where appropriate I will use that as a basis to stress my different emphases.


A. Become the umbrella Environment profession

The Development Plan states that the LI will: “effectively promote landscape architecture as ‘The Environment and Design Profession’ to the public, government, media, potential clients and other built environment professions and partners in the UK.”

I agree with the view that - with a reduced 15 permanent staff - the LI is now achieving a lot, but cannot achieve as much as other organisations such as RIBA and RTPI with a membership and subscription base in multiples of that. The subscription base has increased as LI membership has grown: Brodie McAllister states that, “40 years ago its membership was in the hundreds; now it’s 6,000 and rising.”

The LIs financial position and influence would be much stronger, however, if:

a) Membership was expanded dramatically through merger;

b) Income was not limited to advertising and subscriptions.

Membership: David Jarvis said recently that one thing he regretted about his term as President was that he didn’t succeed in getting the RTPI under the LI umbrella. The RTPI currently have over 100 staff and about 20,000 members. Assuming there are synergies between the two organisations, merger would increase opportunities for set and spread the LI agenda. One might make the same argument for other bodies such as the IEMA.

Funding: The LI could lobby central Government to seek central funding in addition to its current income stream. This could be achieved by defragmenting the industry and achieving efficiencies through merger with related and overlapping NGOs such as CABE. I do not see why obstacles to merging a centrally-funded NGO with a subscription charity could not be overcome. Two organisations developing independent position papers on GI in quick succession is not required by anyone.

The beauty of this approach is that: a) the current economic climate demands efficiencies and; b) the LI charter would not need to change, because it is so wide-ranging and all-encompassing.  The LI would become the body for professionals involved in environment planning, design and management across rural and urban landscapes. As such it would be responsible for drafting – not simply reviewing - all Government policy in that arena. The LI would then be better able to meet to “develop clear and relevant policies that protect, conserve and enhance the natural and built environment, and respond accordingly to public consultations.”


B. Increase involvement in LI democracy

The LI has to be democratic according to its charter, but often “greater membership involvement is down to the members not the availability of mechanisms on offer to get involved.” Democratic involvement of LI members seems to mirror that of wider politics, with disillusionment with centralisation (“them” versus “us”) and an increased disconnection from central decision making. The organisation of the LI is show in the chart below.)


Until recently, I had not seen the organisation chart. Upon reviewing it, the operation of the LI seems to be more transparent and make much more sense. I believe it should be prominent on the LI website and explained to all students as a matter of course.

For example, when my branch representative next says to me, “I do not really know what they (the LI) do”, I will be able to remind him that - as a member of the Advisory Council - he has a responsibility to know or find out. And the next person that says they think the LI is lagging behind on subject [X], I will advise to serve on the Technical Committee and push the agenda there.

So why is there this apathy to get involved or to stand for election to the Advisory Council or even the Board of Trustees? Standard 11 of the LI Code of Conduct dictates that members cannot be too busy to contribute!

Perhaps too few value the influence that the LI has on the stewardship of their individual practices. If the LI were able achieve goal A and so help exert greater influence “further up the food chain” (to paraphrase David Jarvis), this would help individual practices be more successful and re-establish the connection.
A critical measure of the success of reconnection would be whether more chartered LI members were the leads on environmental planning and design projects, in either a project management and/or lead consultant role. There are complaints almost every week about the poor quality of urban design. In his recent letter in the Architect’s Journal , Paul Finch complains of the “dreadful rubbish produced by the rump-end of the industry”, and goes on to say that “the answer is that far too many planning authorities approve designs that are woefully inadequate”. My questions to both Paul and to the LI are:

• Why are developers not employing high quality LAs to design great urban spaces and;

• Why are planning authorities either not employing high quality LAs to reject inadequate designs or supporting them to execute tough decisions?

Redress could be achieved - bluntly - by making LI leadership a prerequisite of obtaining planning permission. A better and more subtle way would is a bi-product of goal A through influencing decision makers of the benefits of a landscape-led approach.

In either case, the LI needs highly qualified and rounded individuals seeded through the industry, who are both technical experts and also confident enough to stand up for what they know are the right answers.
The LI takes its education and CPD obligations seriously, but how well does it lobby to get the best graduates and also to ensure the correct people are in the right positions?



C. Attract and retain the best graduates

To sustain goals A and B in the medium to long-term, excellent graduates need to be encouraged to join and then be trained to a very high standard.

Landscape Architecture is neither as well known nor glamorous as say, architecture, law or medicine. The average LA is probably less well-paid than a counterpart in other professions. Yet Landscape Architects can also make a huge difference (both positively and negatively) on peoples’ lives and money is not always the ultimate factor in people’s career choices.

The LI Development Plan aims to “uphold and advance standards of excellence in professional education, practice and development.” Perhaps quality will increase as a result of Government cuts in University funding leading to fewer places than applicants. But the underlying issue is that many students believe that other professionals are in general richer, more influential and more highly esteemed than garden designers. While that situation remains, the better candidates will continue to shun the Landscape Architecture profession.
The LI has invested a lot of energy into recruitment and has been successful in that regard, but it would be questionable to increase that investment until progress is made on goals A and B. Retention of disillusioned recruits within the LI will prove difficult if the LI practices are simply picking at the bones of decisions and work led by other professions.

In summary, the LI has been through turbulent times and is hopefully coming out the other side leaner, better and wiser. The economic downturn should be viewed as a great opportunity for the LI to increase its footprint and influence in a controlled manner, so that when the green shoots of recovery appear, we are best place to make truly great places.

Richard Crooks Fleet, Hampshire, March 30 2010

Saturday 6 February 2010

Re-Positioning of the LA Profession

I refer to a controversial blog I posted a few months ago : http://www.talkinglandscape.org/profiles/blogs/oh-really-can-you-come-and-do  My main thrust was that Landsape Architecture term itself has become unhelpful to the profession and that our profession must be the "umbrella" under which all environmetal change specialists (rural and urban) should operate. This is because we are best placed to ensure that those changes are integrated and ultimately successful. Indeed, if we do not operate at this level then you could argue that we cannot meet our charter objectives. I judge that most responses fell into the "complacent" category (read for yourself).


The reason I dig up this controversial discussion is that the marketplace IS changing as I suggested. For example, a little bird told me yesterday (Feb 5, 2010) that in the UK:
- an ecologiy firm has started recruiting landscape architects
- an architecture firm has started doing the landscape work as well (as work is hard to get)
The same little bird is also thinking of ditching the LA term for "environmental design."

Now if you think that ecologists or architects are best trained and suited to managing change in the environment, than you can stop reading now. However, if you think that these specialists are not best placed to properly integrate all the elements required to make a new place successful, then what is to be done? Do you:

a) carry on regardless, because actually your practice is OK thanks?

b) copy what the little bird is doing and re-brand (to steal a march on the new competition and even maybe sign-up some associate ecologists and architects into your practice)?

c) try and act together as a profession to address the risk and reposition your profession as the umbrella under which all other specialities operate?

I think the terms of the charter suggest that approach c) has to play some part in the future.

Wednesday 13 January 2010

Why self-identity is essential for "sustainable communities"




Abstract


As Landscape Architects we are “place makers” and we intend to make places that satisfy the needs of the people who use them. I argue that a most important need of being human is “self-identity”, but suggest that “opportunity for humans to develop self-identity” is seldom if ever an expressed requirement. Further, for democratic spaces in the public realm, how could self-identity be an achievable requirement? I argue that “place attachment” - the emotional response to a place - is a vital component of self-identity and that the opportunity to achieve it can and should be designed into places. I conclude by re-iterating some design guidance, but accept that there are financial and social reasons why designs may continue to fail to create place attachment for individuals.

For the full article, please follow the link:

http://www.docstoc.com/docs/22152473/Role-of-Self-Identity-in-Place-Attachment

Thursday 7 January 2010

Who should build our homes?

CABE discussion:

http://www.cabe.org.uk/publications/who-should-build-our-homes

One model worth following is Community Land Trusts (highlighted in Conservative Party Housing Green Paper) such as at High Bickington

http://www.communitylandtrust.org.uk/index.php?option=com_content&task=view&id=22&Itemid=38

Saturday 12 December 2009

How to create "Place Attachment" in new developments (e.g. Ecotowns)

Here I present my understanding of "place attachment", how it forms, why it is important to individuals and communities.

http://www.docstoc.com/docs/19382361/Place-Attachment

I ask how one might help foster it in new developments, e.g. through group self-build.

(Unfortunately, "docstoc" doesnt support powerpoint files, so I've had to convert to PDF and lose the recorded commentary.  If you are interested and want to hear the commentary, get in touch and I will email you the powerpoint slide.  Click "view" and "slideshow")

Richard
December 12 09

Monday 30 November 2009

ClimateGate

Is the Landscape Institute building a core element of the Landscape Architecture profession on the back of possibly bad science? Should the LI push ahead with its response to "global warming" or wait and see what independent review of the raw data discovers? Or do Landscape Architects simply say that much of the LI response makes sense irrespective of global temperature, e.g. as a response to possible oil shortages and/or price increases.

Monday 2 November 2009

Living willow walls

I first saw living woven willow fences in "Radical Landscapes" by Jane Amidon.  She highlighted the show garden at Chaumont-sur-Loire 1996 of Judy and David Drew called "Saules dans la Brume" ("Willows in the fog")



The woven willows form a trellis that supports new leaf growth.  "The display thickens as the sun and a microclimate of mist provide nourishment." 

I love the fact that the willows are alive and growing. I love the craftsmanship and artistry in the woven pattern.  I like the fact that it is of a bulky material yet appears light and almost transparent. This is a quality I notice in much Gothic work, like the Oxford University museum.


 
These living fences - or "fedges" - would certainly be suitable as the walls of a green meeting place in the forest.  There are certainly many experts out there who know how to do this:

        http://www.willowpooldesigns.co.uk/gallery.cfm?iCategoryIDPK=12
       
        http://www.westwaleswillows.co.uk/fedgeplanting.html

Sunday 1 November 2009

Symbolism of stained glass windows

Gothic as a style has been hi-jacked many times (not least by the horror literature, vampires and "goths"). 

"Only a minority of modern designers have followed Ruskin's ideal of anonymous craftsmen working in harmony for the benefit of art and society"  "Some modern co-operations use Gothic as a branding device.  However, wheareas the monastic buildings represented and promoted specific morals, the modern counterpart has no specific meaning." (Buchanan)


"East window of the quire at Gloucester Cathedral is the largest window in Europe.
The medieval stained glass shows the powerful on earth surmounted by the heavenly hierarchy"

"At Coventry, a mdern cathedral replaced its bombed medieval predecessor.  John Piper's stained glass in the Baptistry is abstract, but the luminous colours [were] inspired by Gothic glass"

      


I think the effect of the circular light flooding through glass stunning and memorable of the sun rising through the canopy of a dense forest reflecting off the leaves and silhouetting the branches.  I think it would be amazing to enhace the effect in an outdoor forest setting by installing stained glass (or some other transparent or reflective coloured material) in the canopy.

David Booth informed me that a sculpture Kevin Atherton had done something similar in the FOD (See link).  However, I feel this piece of art is simply stuck up there and is not sympathetic to or integrated with the context of the forest.  I will be truing to achieve more sympathy. Further, the stained glass is static and does not move with the wind, so the light reflections are not optimised.  I will aim to create something more akin to a "mobile" that plays in the breeze...

            http://www.forestofdean-sculpture.org.uk/sculptures/current/cathedral/

Regarding symbolism, I can't help but be reminded of the modern art of having one's genetic fingerprint framed and hung on the wall. There is great symbolism in that we are all the ongoing adaptation of a genetic code under the constant process of natural selection...











Live tree carving

I found some amazing pictures of live tree carving and wonder what Ruskin would have thought. There is real skill and craftsmanship here.




I understand that if one carves very shallowly, the bark grows back, hence the effect of this fabulous sculpture of a woman (above).  If one wants to stop the bark regrowing, then one must carve a bit deeper.  It probably also depends on the tree species...
I feel assured that the live trees are not harmed badly.  Care is taken to: not ring-bark; not carve too deeply and ; to ensure the carving is sealed - to stop infection and invasion by insects.




Perhaps the columns of my "spiritual" forest place can be carved by local artists and craftsmen. Indeed, the tree carving iteslf could become ritualistic and a means of bringing the local community together.

    
     

Saturday 31 October 2009

The Morality of Gothic

"Ruskin argued that the Middle Age craftsmen were allowed to be freely innovative.  This accounted for both the beauties of Gothic and for the medieval social structure he so admired. He felt the Victorian age was dominated by mass production; modern manufacture was immoral because it treated the workers merely as labourers rather than artists in their own right.  It was only by returning to medieval craft production that society could be reformed and true art and architecture revived."

From "Gothic Glories" by Alexandria Buchanan

I assume if Ruskin were alive today he would be saying the same, but even more strongly. Architecture is more of a commodity than ever before. Craftsmanship seems to have become a niche, lost from the mainstream of place creation.  Can we reverse that trend when we build new sustainable homes and communities?

"Dean and Woodward tried to put these theories into practice, under the watchful eye of Ruskin himeslf, at the Oxford University Museum, begun in 1855."





I was up at Keble College Oxford (85-88).  It is just across South Parks Road from the OU Museum.  I liked it then, but maybe did not appreciate why.  Now I understand  that iron columns, though not structural but merely decorative, are an ode to medieval columns.  I love the pointed neo-Gothic arches, which seem to give the building immense verticality.  But most of all, I love the light that comes pouring in from the glass and iron roof. 

For me, this is man immitating forest.



For me the craftmanship is key, but the art doesnt have to be overly ornate.  I love the simplicity of the neo-Gothic chuch at Brockhampton (built 1901) designed by William Richard Lethaby of the arts and crafts movement.





That is why I am inspired by the work of installation artists such as Nils Udo (see other blog post). He installs art and ephemeral place in nature.  Indeed that these installations have limited lifespans is a fundamental part of his philosophy. 

I would like to create more permanent places in forests: awe inspiring places.  These places will be where man takes raw nature and embelishes it with pure gothic art and craft. I would like local people and craftsmen to:
- build it
- feel they have created a work of local art, not installed a commodity
- meet there on a ritualistic basis
- feel safe there
- feel altruistic there
- feel like peers and part of the same group when they are there and when they leave

I want them to feel affinity with each other....

 

Nils Udo

 In his own words:

"Being a part of nature, being embedded in it and living on it, it appeared to me that acting in com-pliance with the laws of nature was something self-evident and necessary for survival. "





"Turning nature into art? Where is the critical dividing line between nature and art? This does not interest me. What counts for me is that my actions . . . fuse life and art into each other. Art does not interest me. My life interests me, my reaction to events that shape my existence."







"Even though I work in parallel with nature and create my interventions with all possible caution, they will always remain a fundamental contradiction to themselves. It is this contradiction on which all my work is based. Even this work cannot avoid one fundamental disaster of our existence. It injures what it draws attention to, what it touches: the virginity of nature."



"I associated my existence with the cycles of nature, with the circulation of life. Henceforth my life and work proceeded under the guidance and in keeping with the rhythms of nature."


Sunday 18 October 2009

The Moral Compass




http://www.youtube.com/user/dickieregenerate#p/a/u/0/ZUsdnUHBmPQ


1. Background

In my discussion, “Blueprint for a spiritual urban landscape” (2009) , the results of a cursory analysis of three typical religious building types (church, mosque, Hindu temple), suggested that these places commonly offer the following ten social functions or activities:

1. Landmark and calling

2. Ablution

3. Orientation & congregation

4. Procession

5. Leading ritual

6. Leadership & teaching morals

7. Making music

8. Private contemplation

9. Studying & learning

10. Remembrance & icon reverence

I went on to describe an architectural blue-print for a modern urban social space that could fill any social gaps resulting from increased atheism and/or falling attendance rates.

The design was based around the innate symbolism of “nature” as opposed to cultural symbolism of “nurture”. This follows an earlier discussion, “Are we talking the same language? (2009)” , suggesting that abstract, cultured or overused symbolism can lead to misinterpretation and confusion. Anyone from any social or cultural background asking: “Why would I go there? - would be doing so rhetorically.

Critical Review

On reflection, the scope of a spiritual urban landscape design is too immense. Further, the results of the research apply equally to non-spiritual places. For that reason, I have now focused the discussion on point 6: Morality.

2. The evolution of morality

First, it is important to understand that morality is result of evolution, not a creation of God.

Genetic and animal behavioural studies, cited by Richard Dawkins, have shown there is strong evidence that behaviour such as altruism, reciprocal altruism and group co-operation are favoured through natural selection. Are decisions on “right” and “wrong” also naturally selected?

According to Dr Andy Thompson , recent neuroscience experiments have used the “runaway trolley dilemma” to show that there are two levels of moral controlled by different parts of the brain. First, deep moral rules (e.g. don’t kill) are controlled by an old (in evolutionary terms) part of the brain. He cites Haidt and Joseph (2004) who argued that there are five such domains that can trigger innate response:

                                                        Negative                 Positive

                                                      (Back away)             (Approach)

1. Harm/Care                                                                 e.g. It will shelter me

2. Reciprocity / fairness                                                  e.g. It will scratch my back, if I scratch its

3. Authority / hierarchy                                                   e.g. It is my peer

4. Community / coalitions                                               e.g. It is in my group

5. Purity                                                                        e.g. It looks OK


Second, utilitarian rules (e.g. “it’s OK to kill one to save five”) are controlled in a younger part of the brain. This part essentially performs justification and has evolved in response to social animals living in complex social situations. So an immediate gut-instinct or knee-jerk is followed by a second “yes, but what if” dampener.

Interestingly, when the runaway trolley dilemma is performed across different cultures, the results tend to be the same. This may explain how utilitarian philosophers such as Kant, Bentham and Mill have been able to define credible universal laws of consequence rooted across many cultures:

• “Act only on that maxim, whereby thou canst at the same time will that it become a universal law” (Kant)

• “The greatest good for the greatest number of people” (Bentham).

3. Societal change brings a crisis of morality

This moral conflict of older innate rules versus newer utilitarian justification continues within individuals living in an evolving UK society increasingly multi-cultural, free-thinking and secular society. Significant social trends that I believe currently affect individual morality and behaviour includes:

1. Continued religious fundamentalism (from Islam sponsored in the middle-East to Jewish/Christian funded in the USA) in leaders with imperialistic undertones leading to war, terrorism and general intolerance

2. Increased secularity and fall in Church attendance, leading to a weakening of the influence historically offered in religious places by church leaders

3. Decreased empowerment of local agencies by big government, combined with recent declining moral standing and credibility of politicians leading to increased disillusionment with the democratic process

4. Increased working hours including commuting mean that there are fewer hours available to spend on local social activities, leading to fewer opportunities for physical interaction

5. Increased abilities through genetic technology to change the natural course of evolution (of plants and animals including ourselves), leading to changed social demographics such as an increasing and ageing population

6. Increased influence of new media technology (digital TV, internet, mobile phones through which individual values and beliefs can be influenced), leading to the movement of social control from real local place to virtual space

7. Increased “worship” of celebrities as social role models, again meaning fantasy is replacing local reality as the driving of social control and change

As society continues to evolve, to what extent are daily ethical positions and moral decisions influenced? Is society “broken”? Does the speed of societal and technological change mean that a new shared utilitarian law has yet to evolve? And who, if anyone, will society trust to codify that?

What can Landscape Architects do, if anything, to help find solutions to such problems, whether real or perceived?


4. It’s good to meet and talk

It’s good to talk and technology has made that even easier. It’s even good to watch and listen to other people talk through modern media. TV debates range from Question Time on a Thursday night and The Big Questions on Sunday morning, to the daily talk shows such as The Jeremy Kyle show. The internet provides myriad social forums such as comment blogs of daily on-line newspapers to groups on Facebook.

I wonder, however, how much misunderstanding and conflict is prevented or resolved satisfactorily via technology as opposed to in person? I suggest that most conflicts – from major wars, social unrest and family argument - have been resolved around a “negotiating table”, through inter-personal discourse at the Forum in ancient Rome to Camp David in modern Maryland, and from ACAS headquarters to the family dinner table.

The social trends I describe make it less easy for people to meet physically. My thesis is that we need to create opportunities for social meeting and that this needs to be an almost ritualistic experience. Landscape Architects, as designers and creators of public place, must be challenged to create opportunities for that ritualistic meeting and debate to take place. For that reason, my objective is to design places called the “Moral Compass”.

5. The Moral Compass Design Brief

The Moral Compass will be a designed space in the urban landscape that all members of a local society – secular or otherwise - can turn into a place for thinking about and debating topical and local moral issues. It must be physically accessible by all.

The Moral Compass will be designed to neither resemble a place of religion nor a place of making or enforcing law. It will however be designed to:

• Encourage local debate

• Encouraging individual freethinking based on scientific enquiry

• Enable individuals to find their innate morals and to develop shared utilitarian beliefs

The Moral Compass design will have clear:

• Function – whereby the activity on offer is plain, rhetorically

• Legibility – with a strong floor plan and structure

• Ritual – which will either be adopted or created where this does not exist.

The Moral Compass will be sited in the landscape on the highest ground available. It will be a landmark structure that serves to shelter the collected thinkers and debaters during all states of weather. It will be built by the local community using local labour out of local materials.

The Moral Compass will be surrounded by a body of water. Water is also innately spiritual and a bridge will bring innate feelings of hope and opportunity. The vantage point will offer large uninterrupted vistas.

The Moral Compass will hold meetings at regular periods. Fire - and smoke - will be used as a call to gatherings (as there is symbolic religious and patriotic baggage associated with ringing bells and raising standards respectively.)

The Moral Compass structure will provide shelter whilst being open to the sky, so allowing sun’s rays and the night sky to enter. Verticality (defiance of gravity) will be enhanced through “trompe l’oiel”. The main debating chamber will be circular an in the form of a compass representing shared moral orientation.

The Moral Compass will house banks of seating facing each other to symbolise and encourage meeting and debate. There will be a small raised platform for speaking or facilitating.

6. Precedents

Moot Hill and Hall




Moot means assembly. In Anglo-Saxon England, the elders of the hundred would meet in low ring-shaped earthworks called moot hills or moot mounds to decide on issues. Some of these acquired permanent buildings, known as moot halls. The hills were surrounded by ditches, sometimes filled with water requiring use of a boat of raise walkway/bridge. Crossing this boundary signified a change in jurisdiction. At times it would be necessary to summon people to gather at the moot. This was sometimes done by ringing a bell, which was fitted upon or beside the moot hill, or by raising a flag. It is also likely that bonfires would have been lit as a signal, either from the smoke during the day or the light at night.

Saturday 10 October 2009

Blueprint for a spiritual urban landscape

1. Religious architecture dominates urban space

Religious symbolism is all around us. Most cultural landscapes around the world are dominated by the symbols of towers, spires and domes that occupy the heart of settlements from villages to cities. These architectural structures are dominant because they are often on a grand scale, but also occupy the social heart of settlements, often on high-ground or proximal to water both of which provide innate symbolic reaction. This is true across all faiths, whether it be a stupa of a temple in Thailand, the domes of a church in Florence or a mosque in Istanbul.




Historically, these places have been of utmost importance in our social evolution through providing a centre for: moral leadership; spirituality and worship; life-event celebration; learning and story-telling; sanctuary or refuge; solace and comfort; justice through forgiveness; and political control. Unfortunately this functional core is slowly disintegrating.

2. Fewer people follow religion and attend church

2000: In “C of E: The State It’s in” (2002), Monica Furlong stated that in the twenty years between 1980 and 2000 “the Church of England suffered a 27 per cent decline in church membership. The Roman Catholic Church suffered a similar decline in the same period in mass attendance. Methodists, Baptists and others suffered decline too”.

2001: According to the UK 2001 census, less than half of UK people believe in a God. Yet about 72% told said they were Christian .

2005: A poll by British Social Attitudes found that 38% of the population did not belong to a religion.

2006: Research by Tearfund found 66% of the UK population had no actual connection to any religion or church. By autumn of that year, a poll by the National Secular Society of year 9 and 10 children in Cornwall, found that only 19% said they had a religious faith. Only 22% said they believe in God.

2007: A wider Mori poll, commissioned by the British Library, found that nearly half of teenagers in Britain are atheists.

Religious affiliation is on the decline.

3. Is there a vacuum growing in our urban heart?

Declining revenues mean that many churches are struggling for solvency. We have all seen examples of closed places of worship turned into bingo halls, night-clubs or personal Grand Design projects. So what will happen to the remaining historical landmarks of our cultural landscape? Will more close?

Perhaps some will simply become museums. Individuals may pay to have a non-Religious, yet spiritual or educational experience. Perhaps they will look up in awe the verticality of the walls? They may gasp at the fan vaults that seem to defy gravity and keep tonnes of masonry from crashing to the floor. They may scale the heights of the tower and gaze out over the landscape from that privileged vantage point. They may experience the sensual constant cool inner environment. Their internal organs might get shaken to disintegration by the impact of vibrating bass pipes of an impromptu organ recital? Perhaps they will admire the religious art and the architecture for its aesthetic merit? Perhaps they will enjoy reading the history of the settlement and its people through the memorials, paper records and tombstones? Perhaps they will just sit and think in an aura of respect and calm and quiet.

Museums, however, are often not self-supporting and subsidy will not always keep the doors open. So life-events may still be held there to raise revenue. Numbers of christenings may drop off, but even some atheists like a white wedding and a decent funeral with a plot ready in the cemetery. Perhaps churches will become the new art galleries, coffee shops, indoor-markets and night-clubs and evolve and regenerate and exist in an increasingly secular society. I am sure these fine buildings will evolve and survive!

4. Are there places designed to fill the void?

But what about the other core functions of religious place? Where do these now occur? Some urban outdoor space is designed specifically around exercise and play. Other space is greened over to encourage feelings of general health and well-being. We are certainly surrounded by memorials, typically of war and suffering. Much urban spaces are designed simply as flexible space. One could argue that this means designed for no function at all. One can get safely from A to B, or sit for a rest or eat or chat. If people are in that space, they are deemed to be using it and therefore it is successful. But aren’t these very limited objectives? Does this laissez-faire attitude mean that the clues of how to turn space into important social place are not there?

Where do individuals of a secular society go for solace and comfort? Belief in natural selection can leave one in a cold, dark place. Where can neo-Darwinists go for sanctuary? Are there spaces in a city designed for an atheist to find peace and solitude, or has that space recently been “in-filled”? Where are the urban spaces designed for expressing evangelical joy and hope? Where can we feel we are able to sing with our fellow man at the top of our voices? Where are the outdoor places an ordinary person go to listen to a ripping yarn with a moral? What is the place where one who does not fear God can go for moral guidance or to express regret or seek forgiveness?

Are those places schools and universities? Are they business locations? Are they elsewhere on the High Street, say in a shopping mall? Or do people have to stay indoors to meet these innate needs through TV soap operas or books? Maybe they fly through cyber-space to virtual communities through the click of a mouse? How well do these places do the job? Can anonymity ever replace the sense of community in the flesh that a church setting traditionally offered?

5. Understanding religious place

There is an opportunity to design space in the urban landscape that all members of society – secular or otherwise - can make spiritual place. But how would one design and create this? Looking at religious buildings seems to be an obvious place to start.

Function

The symbolism of the architecture of religious buildings makes it clear to all what functions are on offer there. An Anglican, for example, knows that worship, life events (christenings, marriages, funerals,) harvest festivals and carol concerts are some of the activities he can do there. Similar types of function are performed in various religious buildings through the world.

Legibility

Churches, mosques and temples are often landmark buildings. They have been built on traditional plans that provide very strong legibility. A man entering an Anglican church, for example, understands to enter via a porch. He knows to sit facing east in the nave with rest of the congregation. He expects a priest to give a sermon from the raised pulpit, often reading from a bible resting on a lectern. He knows that hymn numbers will be displayed on a board not far from the pulpit. He knows that the choir are sitting in the chancel ahead. If he wants a place to go for private reflection, he knows to use there may be chapels in the transept. He knows that at weddings the bride will walk down the aisle. Similar legibility would exist for a Muslim entering a mosque or a Buddhist entering a temple.

Ritual

The Anglican also understands the ritual of the place. He knows that he can worship at least every Sunday morning. When he hears organ music from the chancel, he knows he is expected to stand, sing and rejoice from the hymn book in his hand. When the priest says, “let us pray”, he knows to kneel on a cushion, lower his head and close his eyes. He understands the cue to go to the altar to receive communion. He knows that the stone structure of water is not a bird bath, but a place for baptism. There are similar cues and responses in all faiths once one has learned them.

To create a successful spiritual place in the urban landscape, therefore, one should:

a) Make the spaces function specific (not a homage to flexibility)

b) Design the overall space with clear structure and legibility

c) Encourage the adoption of regular events that would almost become new social ritual.

A cursory analysis of three typical religious building (see table 1) suggests that the space should be structured around the following ten functions:

1. Landmark and calling

2. Ablution

3. Orientation & congregation

4. Procession

5. Leading ritual

6. Leadership & Teaching morals

7. Making music

8. Private contemplation

9. Studying & learning

10. Remembrance & icon reverence

6. Blueprint for an innate spiritual urban landscape

The location should be on the highest ground available.

The space would need a landmark structure, probably a dome that serves to shelter the collected people during all states of weather. This must be a marvellous feat of architecture to inspire awe and spirituality through verticality and defiance of gravity.

The whole space will be surrounded by a large body of water. The water in itself raises innate spirituality. The water will run inside and be diverted for further ritual, be it baptism or ablution. It may simply represent a well – children cannot resist throwing in coins and making wishes.

The bridge crosses the water and so brings innate feelings of hope and opportunity. It leads to a porch and this relatively confined space will create innate sense of entrance and refuge from danger. There may be a hazard placed under the bridge or outside the porch increase the sense of reaching safety. Perhaps a ritual of pinning a picture of one’s nemesis outside the porch could be encouraged.

The main hall under the dome will be circular and will take the image of a huge compass for orientation towards the east, Mecca or anywhere else felt to be of significance by local people. The floor will be a work of art.

Somewhere in the floor will be a hearth for fire for warmth or cooking.

People should be able to ascend safely to the dome roof for fine prospect over the surrounding and inner landscape. But this ascent will be exhilarating or threatening through use of transparent walls, steps and floors showing the drop to earth.

The hall will have “green-walls” where possible representing the widest local native biodiversity. This will symbolise sustenance. Fruits will be edible and the flowers will be beautiful.

The furniture must have flexibility so that the hall can be used for sitting, kneeling, singing and dancing, where people sometimes face away or towards each other.

At the edge of the hall, there will be a small raised platform for speaking, teaching or conducting events. There will be a larger one nearby for playing music.

From the porch, the hall will be crossed by a path representing procession and raising innate feelings of prospect. The path will be a geological and biological timeline showing the evolutionary family tree and the insignificant time that homo-sapiens has been on the planet. The path will lead opposite to ramp leading down into a small green outdoor room of evergreens such as yew and cypress. These trees bring innate associations of eternal life.

In turn this will lead up to a large outdoor area functioning as a green cemetery and crematorium (and possibly allotments). There will be no urns or headstones – there is not the space, but bio-degradable icons can be brought in as an aid to grief or remembrance. The planting will also accentuate spiritual feelings of regeneration through decomposition, assimilation and succession.

To one side of the hall, there will be small rooms dedicated to private contemplation. These will have convertible walls depending upon the weather. They will overlook the water. The scale, colour and textures will be designed for intimacy, solace and comfort.

On the opposite side there will be a large deflected vista raising innate curiosity as to what is around the corner. On turning the corner, one enters a large area of learning. Local schools, universities and other teaching institutions will be free to use the teaching facilities. This will have convertible walls. This is an area of complexity again to simulate innate curiosity and interaction. It will be dedicated to freethinking, especially the science of evolution through natural selection.

The learning area will in turn lead outside to an area dedicated to natural play. It will comprise a wide variety or native succession species. It will not be horticultural and will be left largely untended, so it will look untidy. There will be: trees to climb; leaves to kick; mud and sand to mould; and water to splash in and dam. Children will be able to take risks.

People will want to spend time in this new spiritual landscape because it celebrates life.